Abstract
There is an ongoing debate among historians and political theorists on the nature of the
Medicean regime. The importance of this debate is evident especially in the field of political and
legal theory, considering the continuous attempts to expunge tyrannophobia from the
constitutional landscape.
I would like to raise three questions. First: where does Lorenzo's portrait in the Storie Fiorentine
come from? Second: what is that remains alive of that old portrait, thirty years later, in his
History of Italy? Finally: why is this discourse so important, also for Machiavelli?